About the Piece

Hear Aaryn's Other Music

Instrumentation:

Viola & Piano

Exclusionary Period:

1 year starting on Delivery date. (April 1, 2025 - April 1, 2026)

Project Description:

Evocations II uses the melody of the first Delphic Hymn to Apollon, which, unlike the Epitaph, is fragmentary in places. Thus, most recordings are very close constructions based on what we know about ancient Greek musical practice. While I intend to let that practice inform the piece, I am more interested in what might lie outside. The idea of the piece, unlike the companion work (Epitaph), is to explore beyond the known material and customs.

This work is also in two parts. The first part being purely performed by the viola soloist. The second part will be based on no previous material and will be a tone painting of a Greek bacchanale or similar celebration, contrasting with the sacred explorations of the first half.

Note: Epitaph and Evocations II are meant to be performed together on the same program with the former proceeding the latter and even overlapping. Though, these works may be performed separately.

Project Overview:

Recontextualizing the works of the past is something that I find an interesting challenge. How can you turn older material into something new and fresh? Taking older melodies out of the museum and into dialog with the now. This pair of works attempt to do that with some of our most ancient artifacts: the Epitaph of Seikilos and the Delphic Hymns to Apollon. The first of the two, Epitaph, focuses on the meditative quality of the Epitaph tune and deviates very little from the source material; whereas the second, Evocations II, seeks to explore the fragmentary, almost implied nature of the Delphic Hymn to explore deeper truths as an oracle may grasp at prophetic visions of the divine.

Companion Piece: Click Here to access the Organ companion project.

Project Budget:

Composer Fee - $2,000

First Edition Printing Allotment - $250

NWP Overhead - $750

About the Composer

Visit Aaryn's Website

Composer Bio:

Aaryn S. Ricucci-Hill (b. 1992) hails from Troy, MO, currently based out of Kansas City, MO. With a focus on reflecting the queer experience, Ricucci-Hill writes with intentionality and care to craft bespoke musical environments engaging with the complexities and sometimes banalities of queer life.

Ricucci-Hill has a passion for fruitful collaborations. Their journey has led them to work with a wide variety of ensembles, organizations, and musicians. Notable partnerships include Lyric Opera of Kansas City, Don-Paul Kahl (saxophone), Longy’s Divergent Studio, the I Exist Project, The Troubled Euphs, Playground Ensemble, the Plaza Winds, and Musica Nova. Ricucci-Hill’s music has been featured at various conferences and festivals including Zodiac Music Festival (2016), Oregon Bach Festival (2018), CMS Northeastern Conference (2023), and the North American Saxophone Alliance (NASA) conference (2023). Additionally, their work has been recognized with honors from the Abundant Silence Composition Competition (2017, Forest Rituals) and in the ASCAP Morton Gould competition (2021, Colors of Pride (honorable mention)).

Beyond composition, they currently have the honor of serving as Vice President of the Festival for Creative Pianists and their publishing arm, Abundant Silence (2022-present). In addition, they have worked closely with No Divide KC on crafting their call-for-scores for the annual Come As You Are event since 2021. Formerly, they sat on the Board of Directors for the Gateway Festival Orchestra of St. Louis for three seasons and is also an alum of Phi Mu Alpha-Pi Zeta chapter.

They graduated from the Conservatory of Music and Dance at UMKC with their B.M and M.M in Composition (2018, 22’).

How to Participate

Thank you for supporting the creation of new music through New Works Project! Here's how you can join this exciting journey:

Donate Directly
- You can contribute by making a direct donation to the consortium.
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2. Make your donation or use the Join this Project button above to create your crowdfunding page.
  As a Consortium Participant, you can fundraise, track your progress, and receive exclusive rewards, including:
  - - $75–$100: Name in the score and a digital copy of the piece as a thank-you gift.
    - $101–$150: Name in the score and a print copy of the piece as a thank-you gift.
    - $150+: Name in the score and both digital and print copies of the piece as thank-you gifts.
  - All Consortium Participants who receive a copy of the piece ($75+ tier or higher) will also enjoy 12 months of exclusive performance rights to the piece once the project is 100% funded. See Participant Agreement for more details.
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"Evocations II" by Aaryn S. Ricucci-Hill

By New Works Project

"Evocations II" by Aaryn S. Ricucci-Hill

Viola & Piano